Between the myriad of instruments and the neon robot face () that is the band’s (unofficial?) logo glowing white on the stage, Caravan Palace manages to perfectly combine old time elements of classic jazz music with new age house beats to-dare I say it?-create the most perfect dance party that there ever was. Hugues Payen’s violin adds an element to the music that only violins have the ability to do-it’s something romantic, something nostalgic, something deep and more meaningful. You may find multiple LRC for the same music and some. On December 31, 2016, Caravan Palace uploaded an Electro Swing cover of this song to YouTube.
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Because their own music is just so much better than that song could ever hope to be.Ĭaravan Palace takes traditional swing music and turns it into bass-heavy dance beats, and all the while playing real live instruments. LRC contents are synchronized by Megalobiz Users via our LRC Generator and controlled by Megalobiz Staff. Harry Belafonte recorded a song called 'Black Betty (Youre A Mean Old Gal)', but this is a completely different song.
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The Parisian band have toured the world relentlessly and are coming back to the US in July for another series of sold out concerts.
Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. With fans reaching all over the earth (and one in outer space), Caravan Palace have hardly taken a break since the release of their genre-defying 2015 albumIt was a hit (and a sing-a-long), but I honestly thought it was the least exciting part of the show. Listen to your favourite songs from Black Betty by Caravan Palace now. They covered Ram Jam’s Black Betty, which looked like it took a lot of energy (repeating that damn chorus over and over and over, with gusto!). Other band members also partook in contributing vocally, from deep throated frog impressions to spitting beats and looping them into the tracks.
Perhaps she sweat through her first dress, or maybe she just needed to change into her hooded alter-ego when she seamlessly transitioned from jazz scatting in one song to practically rapping in the next.
Lead singer Zoé Colotis (a real live version of Betty Boop?) changed her outfit, oh, maybe four times throughout the night. They danced with each other, spinning round and round the stage. You’ll be surprised.Ĭover art from Caravan Palace’s album “Panic” by Ugo Gattoni If you think you can’t dance, try listening to Caravan Palace and it may just happen naturally. Their brand of music, from the shrieking horns (can I get a hell yeah for clarinets?) and cool vibraphones to the jazzy piano and that sultry (double!) bass, just makes your body move uncontrollably-in best way. Caravan Palace is sort of like if you took the gypsy vibe from Gogol Bordello, the charm and charisma from Squirrel Nut Zippers (if you think you don’t know this band, you do) and the electro-funk from Chromeo, mashed it all together into a sharp dressed Frenchman-and then that Frenchman took you swing dancing at the circus. (Eh, am I getting old?)īut that didn’t stop us from swingin’ and jumping, shimmying and shouting for more. I haven’t been so thoroughly soaked at a show since my club days of going to warehouse parties in Bushwick before that was a cool thing to do. Caravan Palace‘s Wednesday night show at the Ogden was a moist one, indeed.
There are few bands who can play in such an oppressively hot sweat lodge and still maintain an outstanding level of enthusiasm from their drenched audience.
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